I was about to write a standard defensive post about why I continue to pursue the hidebound, retro, unfashionable art of painting, even though painting has been declared officially Dead, lo these twenty or thirty years, even though major contemporary art institutions seem to be sharing in this perspective, and even though it seems to be automatically assumed by the Art World Intelligentsia that a painter cannot possibly also be intelligent, progressive, and a unique original thinker.
Then I went to the Pulse Art Fair today, and changed my mind. Go see the Pulse Art Fair. It's wonderful. I will post about it when I'm not between seeing the Pulse Art Fair and throwing a birthday party for my honey. :-)
So, the reason I am still a painter has nothing to do with repeating an archaic Form, in a mechanical manner, the way the vast majority of persons who sell paintings at plein-air art fairs in places like Canton, Texas or Holton, Kansas do. It has to do with needing a complex and subtle language in which to communicate complex, subtle ideas; it has to do with using a medium that communicates kinesthetically and emotionally as well as visually; it has to do with the pragmatism inherent in using a language that has already been invented, and helping it proceed in its evolution, instead of having to invent an entirely new one, and explain it as I go along.
Also, as difficult and expensive as it is to find the space for a painting studio anywhere in the world, the difficulty and expense is nowhere near that of a welding shop, a film studio or a print shop.
(All images--screenprint, pencil and watercolor on paper, product of recent class at Lower East Side Print Shop. Now I must obtain a print shop residency so I can pursue this line of thought.)
9 comments:
Hey, I like the new prints! I like the combo and the layering of the washiness of the watercolor with the mandala imagery. Go PL!
xx
O
Thanks, O! Seems like the Pulse fair perked you up, too!
Yes, but now I am deperked because my email hasn't been working all day. So if you emailed me, don't worry, I'm not ignoring you.
O
Beautiful.
I like your paper choice for the prints, by the way.
Hi. I love the textures and the layering of elements too. The paper is great. Some of it glows, some floats, it all has a sense of motion. Love it.
A
I think this is static doodling.You are better at writing.
Ninety-eight percent of the words I've written in my life have been the verbal equivalent of doodling, as well.
I saw a lot of doodling back in the day, in my professional life. It was in the field of finance, but an emotionally charged branch of it.
Some of the most evocative sketches I've ever seen were those doodles. One included a page from my boss that was downright frightening. He did not have the self-undertanding to realize the things he'd just *said* in that doodle.
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